April 2014 brings the grand opera staging of Pucciniâs classic five-hankie masterpiece,Â LaÂ bohĂ¨me.
Thursday, April 10th and Saturday, April 12th at the Abraham Chavez Theatre. Â Artistic Director David Grabarkewitz calls this production âa traditional and electric new production that he has long been wanting to bring to El Paso.”
TICKETS AVAILABLE NOW:
â˘ At the Plaza Theatre Box office
â˘ Through El Paso Opera: (915) 581-5534
â˘ Through TICKETMASTER
Danielle Walker returned toÂ Sarasota Opera for the 2013 Winter Festival SeasonÂ to singÂ the role of Giulietta di Kelbar in the rarely seen Verdi operaÂ UnÂ giorno di regno.Â Â Ms. WalkerÂ made her Sarasota Opera debut as Donna Elvira inÂ Don Giovanni and was last seen as Micaela in the 2012 production ofÂ Carmen. RecentlyÂ she made herÂ Carnegie Hall debut singing HaydnâsÂ Paukenmesse with the New England Symphony as well as her Opera Orchestra of New York debut in Carnegie as Mlle. Jouvenot inÂ Adriana Lecouvreur.
Ms. Walker wasÂ member of the Domingo-Thornton Young Artist program at Los Angeles Opera, where she sang the role of The Girl in the American premiĂ¨re of SchrekerâsÂ Die Gezeichneten, conducted by James Conlon.Â Additional roles with Los Angeles Opera haveÂ included covering Freia inÂ Das Rheingold, Ortlinde inÂ Die WalkĂźre, Adina inÂ LâElisir dâAmore, and singingÂ Suor Dolcina inÂ Suor Angelica as well as performing in concert under PlacidoÂ Domingo.Â SheÂ also sang on the Gustavo Dudamel Fellow Concerts with the LA Philharmonic.
Ms. Walkerâs professional engagements have included the Countess inÂ Le Nozze di Figaro with the Opera Festival of Lucca, Mahlerâs Symphony #2 with the Kentucky Symphony Orchestra, BeethovenâsÂ Symphony #9 with the Central Ohio Symphony and Villa-Lobosâ Bachianas Brasileiras with the Pasadena Pops. She is a featured soprano on the Hal Leonard companion CD recording of the Menotti Aria Anthology.
The Virginia native received both her undergraduate and graduate degrees from the College Conservatory of Music (CCM) at the University of Cincinnati where she sang Mimi inÂ La bohĂ¨me, Mme de Tourvel in SusaâsÂ Dangerous Liaisons, Greta in DrattelâsÂ The Festival of Regrets, and the soprano soloist in MozartâsÂ Vesperae solemnes.
Tenor Won Whi Choi has performed leading roles including Alfredo in La Traviata and Chevalier in Dialogues of the Carmelites with the Mannes Opera, and Eisenstein in Die Fledermaus with the Martina Arroyo Foundation and the Korean National University of Arts Opera Theater. He has understudied the role of Don Jose in Carmen for the Crested Butte Music festival as aÂ member of their Marcello Giordani Young Artist Program. Mr. Choi was invited to Hawaii Performing Arts Festival as a professional fellow where he performed the role of Don Jose in The Tragedy Of Carmen and the role of Le thĂŠiĂ¨re in L’enfant Et Les Sortileges. Mr. Choi was one of eight finalists at the Montreal International Musical Competition in 2012. Upcoming engagements for Won Whi Choi include performances as tenor soloist in Messiah with the Winnipeg Symphony Orchestra. He holds a professional studies diploma and a master’s degree from Mannes College of Music and has a bachelor of music degree from the Korean National University of the Arts.
In the 2011-2012 season, Ricardo Rivera made hisÂ Opera Orchestra of NY debutÂ in the role of Orsini in Wagner’s Rienzi under the baton of Eve Queler in Avery Fisher Hall. Â In March, he performed in the semifinals of the Metropolitan Opera National Council Auditions. With members of eight blackbird and the Grammy Award-winning Pacifica Quartet in the new music collective Contempo, he performed Sophia Gubaidulinaâs seminal Perception. He presented the title role on Mozartâs Don Giovanni with the Mannes Opera and Orchestra under the baton of Joseph Colaneri. He has covered the roles of Enrico in Donizettiâs Lucia di Lammermoor and Lescaut in Pucciniâs Manon Lescaut with Chautaqua Opera.
Additionally, Mr. Rivera performedÂ the role of Theseus in Christopher Parkâs opera Phaedra and Hippolytus at the Palacio das Artes in Brazil; the roles of Ford in Berdiâs Falstaff, Don Alfonso in Mozart’s Cosi fan tutee, Morlaes in Bizetâs Carmen;Â and Le chat/Lâhorloge comtoise in Ravelâs L’enfant et lesÂ sortilĂ¨ges with the Castleton Festival, Opera North, Mannes Opera, and Pocket Opera of NY.
Ricardo won firstÂ place in the Eastern Region of the 2012 Metropolitan Opera National Council Auditions (MONC), first place and Audience Prize in the 2011 NY Lyric Opera Competition, fourthÂ place in the 2011 Connecticut Opera Guild Competition, Encouragement Awards from the 2011 Gerda Lissner, 2011 Licia Albanese-Puccini, 2011 MONC, 2010 Opera Index, and 2010 Career Bridges Competitions, and was a recipient of the Richard F. Gold Career Grant in 2009. He holds bachelors and graduate degrees from Mannes College the New School for Music.
Lyric sopranoÂ Jessica Medoff is known for her versatility throughout all genres of music. From Bartok to Bacharach and back to Bernstein, Ms. Medoff impresses audiences throughout the United States with her style, charm and commitment to text and music. She was recently first prize winner of the Mary Jacobs Smith Singer of the Year competition at Shreveport Opera. Recent engagements include a return to the Utah Festival Opera to perform Marguerite in Faust, Magnolia in Showboat with Fresno Grand Opera, Pocahontasâ Mother in Pocahantas with the Duluth Festival Opera, Nancy in Oliver! And Sylviane in The Merry Widow with Utah Festival Opera, The Sound of Music at Ash Lawn with Jerry Steichen conducting, âAn Evening of Sondheim: at the Aspen Opera Theatre Center, Aldonza in The Man of La Mancha with the Natchez Festival of Music, as well as Maria in The Sound of Music at Ash Lawn with Jerry Steichen conducting, and âAn Evening of Sondheimâ: at the Aspen Opera Theater Center, Dorothy in The Wizard of Oz and Ally in Extinction: A Love Story all in New Mexico.
Her operatic repertoire also includes the roles of Musetta in La bohĂ¨me, MicaĂŤla in Carmen, Conna Elvira in Don Giovanni, The Governess in Turn of the Screw, Hanna Glawari in The Merry Widow, and Pamina in Die ZauberflĂśte.
In her young career, she has already performed with Opera New Jersey, Lake George Opera, Natchez Music Festival, Ash Lawn Opera and the Aspen Opera Theater Center. On the concert stage, she has sung soprano soloist in the FaurĂŠ Requiem at Carnegie Hall, VerdiâsÂ Requiem in New Mexico, and Ravelâs Chansons madĂŠcasses with the Luzerne Chamber Music Festival.
Hailed as “outstanding” and “hilarious” by Concerto.net, young bass Timothy J. Bruno is a recent graduate of the University of Cincinnatiâs College-Conservatory of Music masterâs program and holds a bachelorâs degree from Bowling Green State University. In the 2011-2012 season he debuted with six companies including Cincinnati Opera, Michigan Opera Theater, Toledo Opera and Opera Saratoga. Recent roles include Berthold in Offenbachâs Le 66,Â Timur and the Mandarin in Turandot, Collatinus in The Rape of Lucretia, Antonio in Le nozze di Figaro, Count Ceprano in Rigoletto, and covering Eric Owens as The Storyteller in John Adam’s A Flowering Tree.Â His engagements also include Fiorello in Il barbiere di Siviglia and Curio in Giulio Cesare with Michigan Opera Theater, Don Basilio in Il barbiere di Siviglia with Lawrence Brownlee as Count Almaviva at Opera Western Reserve.
Matthew Morris is quickly garnering international recognition for the depth and versatility of his artistry as an actor and singer. He is as equally at home on the opera, concert, and Broadway stages as he is on film and television. AsÂ Le Monde declared, âyou really want to hear him in either an opera or a musical. He has a big presence, a warm baritone voice, immense humanity, and the gift of an actor.â
In the past few years Mr. Morris has debuted on The West End; at the Bouffes du Nord in Paris; the Piccolo Teatro in Milan; with the Boston, American, and London Symphony orchestras; starred in the National Tour ofÂ A Christmas Carol;Â and appeared onÂ Law & Order and in the movieÂ The Producers!
In the 2013-24 season, Mr. Morris will Â sing in Gotham Chamber Operaâs production of CavalliâsÂ Eliogabalo. In addition, he will debut as the baritone soloist in BrahmâsÂ Ein deutsches Requiem with the Memphis Symphony Orchestra and reprise his roles inÂ Candide with the Leipzig Symphony Orchestra.
Highlights of his theater career already include King Charles inÂ Candide at the Barbican in London, Young Scrooge in the National Tour ofÂ A Christmas Carol, Joseph in Joseph and the Amazing Technicolor Dreamcoat, George inÂ Our Town, Gus inÂ The Dumb Waiter, Puck inÂ A Midsummer Nightâs Dream, The Soldier inÂ Hello Again, The Prince inÂ Cinderella, and Alan inÂ Babes in Toyland.